“I am like a being thrown from another planet on this dark terrestrial ball, an alien, a pilgrim among its possessors.” – Thomas Carlyle [the real one, from an 1820 letter]
“So there I was, thinking: is this a space alien? Is this kid insane?” – Too Like The Lightning
‘¿How is the world weird lately?’
< you wouldn’t understand. > – Seven Surrenders
“You know I’m sincere, Caesar, in my way. I love the Eighteenth Century. I fell in love reading about it at the Senseminary, that great moment when humanity realized experiments didn’t just have to be done with the sciences, they could be done with morals and religion, too. I wanted to do that, run an experiment like the American experiment, or greater. I couldn’t resist the chance to finish what my heroes started, not just the humanitarians like the Patriarch and the Romantics like Jean Jacques, but the underbelly, La Mettrie, Diderot, De Sade. The Enlightenment tried to remake society in Reason’s image: rational laws, rational religion; but the ones who really thought it through realized morality itself was just as artificial as the artistocracy and theocracies they were sweeping away. Diderot theorized that a new Enlightened Man could be raised with Reason in place of conscience, a cold calculator who would find nothing good or bad beyond what his own analysis decided. They had no way to achieve one back then, but I did it. I raised an Alien.” – Seven Surrenders
This post will be something like a Thomas Carlyle style sampler – (un)commonplace book – for potential readers of Ada Palmer’s Terra Ignota novels. (You’ve never read Carlyle? That’s quite normal! We shall remedy the defect, slightly.) The Palmer-related point will be something like this. These novels are great! But very weird. She writes like she thinks she’s … Thomas Carlyle or something. That, or I don’t know what. (She doesn’t mention Carlyle by name in her “Author’s Note and Acknowledgement”, but she keeps naming characters after him.)
I don’t propose this as some secret key to the novels. I am sure there is no one Code at the root of it, waiting to be named ‘Carlyle’ (or anything else). But I am only one voice around the table here, so I hope a spot of overemphasis shall not be taken amiss. (Seldom have I read sf novels with so much philosophy packed in, which I’m not inclined to describe as having a philosophy, or being attempted thought-experiments. I mean that in the nicest way.)
I myself have a bit of a Carlyle bug in the ear — sf related one, even. When I teach “Philosophy and Science Fiction” I talk about H.G. Wells, The Time-Machine. (By the by, I must mention that Adam Roberts has been tearing it up, Wells-wise.) I talk about why there’s a sphinx. I talk about Oedipus and the Riddle. I have a bit to say about how maybe Thomas Carlyle, Past and Present — that chapter, “The Sphinx” — is of interest to students of the history of science fiction. Cosmic vision of looming, long-term Truth behind curtain of present life!
“How true … is that other old Fable of the Sphinx, who sat by the wayside, propounding her riddle to the passengers, which if they could not answer she destroyed them! Such a Sphinx is this Life of ours, to all men and societies of men … Nature, Universe, Destiny, Existence, howsoever we name this grand unnameable Fact in the midst of which we live and struggle, is as a heavenly bride and conquest to the wise and brave, to them who can discern her behests and do them; a destroying fiend to them who cannot. Answer her riddle, it is well with thee. Answer it not, pass on regarding it not, it will answer itself; the solution for thee is a thing of teeth and claws … With Nations it is as with individuals: Can they rede the riddle of Destiny? This English Nation, will it get to know the meaning of its strange new Today? Is there sense enough extant, discoverable anywhere or anyhow, in our united twenty-seven million heads to discern the same; valour enough in our twenty-seven million hearts to dare and do the bidding thereof? It will be seen!—”
We have Nietzschean science fiction, of course; Hegelian science fiction — Olaf Stapledon oughta hold you. Why not Carlyle-style sf?
Let’s start with my epigraphs, above. [click to continue…]